|
iLiKETRAiNS Sound checks ring out across a surprisingly un-smoky Scala on this breezy Wednesday night in London’s Kings Cross; confusingly a cryptic video continues to roll behind the stage and from where I’m standing I can only see half of what it says. Sulking, I realise it is likely to be something very profound and I’m missing out on its wisdom. Brief petulant behaviour is soon brushed aside however; as the band humbly amble on stage, and a crowd eager to obtain a bundle of iLikeTrains filled memories tunefully show their appreciation via general clapping, shouting, movement and merriment. Dave Martin’s deep, mournful, and full voice instantly shakes the crowd awake, making it feel like he is addressing you personally while reaching out for your empathy, your help or any sign of recognition as he slowly empties his heart to the heavy 'Twenty Five Sins'. The noise emitted from their passionate guitars, sombre drums, thoughtful cornet and haunting vocals is shocking in its hegemonic like dominance and lucidity; all whilst being packaged in perfect white shirts, black ties, and dishevelled indie-like hair. The music is strangely comforting in its consistency and style; truly melodic music allied with sincere lyrics, produce some impressive live tunes all with a slight abstract feel and encased loosely within indie-rock guitars and heavy rhythms. At times the stage itself goes from absolute non-animation to a rapid and prolonged scramble; but all compelling in its own odd way. Starting steadily and building naturally on sound foundations, 'A Rook House for Bobby', and 'Spencer Perceval' draw the crowd in with their intriguing lyrics and changing rhythm. But it was 'Victress' that screamed out loudest as classic of the night with it’s pleading out, regretful tone and destructive sounding guitars; all balanced with a choir-like layered sound, as more vocals were introduced. ‘I pushed her too hard’ almost whispered across the room with its emotion and honesty following behind in abundance. The band goes beyond indie to form a completely unique and gloriously sublime home to express themselves in (all dappled in green light and the odd earnest smile.) Their music is what you would expect to hear on the soundtrack to your life, cleverly placed at pivotal moments; whether it would be a quiet reflective mood demanded or an epic masterpiece - they would manage to pull it off triumphantly. A band who appear full of contradictions; looking defeated but strong, sounding melancholy but euphoric, and who present themselves as looking wounded but who allow themselves an upbeat connection with their crowd, is a band that you would seriously want to see and experience. Go on, you know you want to... Review
by Nina Ahmadi |