| Maps
Magazine's Picks of 2007 |
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Paul Maps' Picks 2007 was jam packed with albums I'd been long awaiting, including a second release from Art Brut, that I'm still changing my mind about with every play, another new album from the split up/reformed/split up again Six by Seven that hinted at a tantalising return to the splendour of their earlier efforts, and a slightly disappointing longplayer from The Rakes that gave their grubby edges an unnecessary sprucing up. Top of my personal pops this year though were all debut releases - the dark, sinewy post-punk sneer of Twisted Charm's 'Real Fictional'; the similarly tenebrous and equally danceable first LP from The Violets, 'The Lost Pages' (click here for their review of 2007); and Future of The Left's scalding 'Curses', a tumult of furious sarcasm and bowel churningly heavy guitars from the ex-Mclusky/Jarcew trio. It was a great year for singles - I could have chosen tracks by any of the aforementioned bands for starters, but there was once release which defined my year more than any - perhaps it's because 2007 was the year I finally fell in love, but the keyboard swathes and truly romantic lyricism of The Moths' double a-side 'Valentine'/'Wild Birds' have lived in my heart since the first time I heard them. The band have sadly split since then, but most of the line-up have formed a new band - Me My Head. Elsewhere, we were wowed by the scattershot brilliance of We Are The Physics' 'Fear Of Words' (click here for their review of 2007); The Total Drop's elegantly laid back 'Your Excellency' and 586's 'Rags & Tags', an updated vision of West Side Story, with video to match. We saw some amazing live performances too - Archie Bronson Outfit were astounding at The Scala, despite technical difficulties plaguing the set; The Indelicates continued to be my favourite art/drama/indie/pop provocateurs; we saw Subliminal Girls' tongue in cheek indie disco riot more times than we care to remember; and were equally wowed by Joe Gideon & The Shark's hypnotically fragile beauty (click here for their review of 2007), and Thomas Truax's eccentric genius (click here for his review of 2007) . However, striding above everything else I heard this year like an elven colossus was the unimaginably wondrous Scout Niblett, whose magical combination of folk so delicate you're scared to breathe in case you bruise it, and cathartic screeching rock power blew me away every time I was fortunate enough to experience it this year. Becki Newell's Picks Favourite album PJ Harvey - White Chalk I love seeing a renowned artist
coming back to top form after a certain 'glitch'. In my opinion, 'Uh Huh
Her' was in desperate need of being topped, as it was definitely not the
best of Polly Jean's work. Which is why I am happy to say that this album
is one of my favourites of the year. The word 'haunting' is a cliche,
so I am not going to use it to describe the eerie sound that emanated
from my hi-fi. It certainly is a new angle though, with Harvey swapping
her favoured guitar for the piano, something that she had had no previous
experience of. Which is what makes this album remarkable, almost as if
her child-like naivety towards the instrument forced her creativity to
create something intuitive, and at times surreal. The album itself is
also full of paradox, in that at times what shouldn't work does, what
should be considered dull or even ugly is infinitely beautiful. Not only
is this one of my favourites of 2007, I would also consider it top of
my list in term's of PJ's back catalogue. Favourite single New Young Pony Club - Ice Cream This band burst onto the indie
scene this year, looking sexy and young and reminding me of Siouxsie and
The Banshees, with an electronic vibe... which pretty much sums up the
label which they have been given: 'New Rave'. This song is well crafted,
oozing sex and the video is delicious. And although being nominated for
Mercury, and despite their style and panache, this band has been scandalously
overlooked by the mainstream pop world. Which is a shame, because this
song is sugar-coated pop at its very best. This song made me buy the album,
which, although filling my ears with catchy tracks, still left me kind
of wanting. So if a song can make me buy something that I would never
normally buy, they deserve an honourable mention. Favourite Live Act Pelican (with support by These Arms Are Snakes) @ the Carling Academy, Islington, April 2007 If you haven't heard of Pelican
before, I urge to you listen. But their studio work, although wonderful,
doesn't even compare to going and seeing them live. Being of a purely
instrumental sound combining heavy rock riffs yet an ambient atmosphere,
this kind of music really does need to be seen live to be appreciated.
The gig itself helped this feeling along, with a small area of space dedicated
to a few hundred avid fans. It was amazing the kind of sound this small
group of people could produce, a well crafted sound at that, and as much
as anything it was heartening to see an audience all fully appreciative
of this. I left that night feeling utterly wonderful, definitely a band
I would love to see more of in 2008. Neil Watts' Picks Top 3 Albums of 2007 Idlewild
- Make Another World Top 3 Singles of 2007 Los Campesinos! -
You! Me! Dancing! Top 3 Live bands of 2007 Youthmovies Band to watch in 2008 Sky Larkin Readers'
Picks Album
of the Year Caribou - 'Andorra'
(nominated by Tom Morgan) Other Nominations Single
of the Year Other Nominations Live Act
of the Year Sunset
Cinema Club
(nominated by Chris) Other Nominations Band to
Watch in 2008 The Indelicates
(nominated by
Alan Evans) Other Nominations |
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